MARY CARLSON

"Group of Birds" Installation, glazed porcelain,  various sizes,  2020

"Group of Birds" Installation,
glazed porcelain,
various sizes,
2020

 

Mary Carlson has been making her art for close to 50 years. Using a wide range of mediums, materials and subject matter: making everything from hand-sewn American flags, a giant crocheted pink octopus, carved life-sized trees to 'altered' furniture. 

Her current medium of choice is hand-built porcelain, with glazes formulated and fired in her Walton, New York studio. She has created a ‘saints and demons’ series based on depictions of heaven and hell found in Medieval and Renaissance manuscripts and paintings. Described by The New York Times as ‘wonderfully soulful’ and ‘as spiritually infectious as they are appealing,’ she finds this imagery inspiring, meaningful, and still relevant in our times.

A Guggenheim, Tiffany, NEA, and NYFA award-recipient, Mary's work was first shown in New York at Leo Castelli Gallery in 1985. She has also shown in the 1995 Venice Biennale, Kunsthalle Wein; Kunstlerhaus Bethanien, Berlin; the New Museum; the Aldrich Museum and numerous galleries in New York and around the country. Most recently she was awarded a fellowship at Civitella Ranieri, Italy for September 2021. 

 

AWARDS

2021 • Civitella Ranieri Foundation Residency

2015 • Tiffany Foundation Grant

2007 • New York Foundation for the Arts Grant

1993 • John Simon Guggenheim Fellowship (sculpture)

1988 • National Endowment for the Arts (sculpture)

SOLO SHOWS

2020 • Eden, Kerry Schuss Gallery, NYC

2016 • Demons, Elizabeth Harris Gallery, NYC

2014 • Paradise, Elizabeth Harris Gallery, NYC

2012 • Beautiful Beast, Studio 10, Bushwick, Brooklyn, NY

2010 • Faded Flag, Art/Omi, Ghent, NY

2010 • Flags, Plates & Demons, Elizabeth Harris Gallery, NYC

2010 • Faded Flag, Brooklyn Campus of Long Island University, Brooklyn 

2001 • The Devil and the Deep Blue Sea, Bill Maynes Gallery, NY

1999 • From Nature,  Bill Maynes Gallery, New York

1997 • Bill Maynes Gallery, New York

1996 • Bill Maynes Contemporary Art, New York

1994 • Holly Solomon, New York

1992 • Max Protetch Gallery, New York

1987 • Michael Klein, inc., New York

1986 • Curt Marcus Gallery, New York

2 PERSON EXHIBITION

2019 • Mary Carlson and Jim Torok , Catskill Art Society, Livingston Manor, NY

GROUP SHOWS

2021 Summer Love, Art Sales and Research, Clinton, NY

2021 • Churchy, Liberal Arts Gallery, Roxbury, NY

2021 • Anarchy of the Imagination, Kerry Schuss Gallery, NYC, curated by Ryan Foerster

2021• Speaking Tree, Candice Madey Gallery, NYC

2019 • Algus, Carlson, Moskowitz, Kerry Schuss Gallery, NYC

2019 • It’s Necessary to Talk about Trees, curated by Candice Madey, at River Valley Arts Collective, Catskill, NY.


2018 • Pageant of Inconceivable, Rachel Uffner Gallery, NYC

2018 • Summertime, Tibor de Nagy, NYC

2018 • Heaven and Earth, Drive-By Projects, Watertown, MA

2018 • Pageant of Inconceivable, Kleinert/James Center for the Arts, Woodstock, NY curated by Portia Munson and Katharine Umsted

2016 • Fish Tank, LUI Humanities Gallery, curated by Matt Freedman and Finnan Boyle, Brooklyn, NY

2016 • Chasing the Rose, The Dutch Barn, Clinton Corners, NY

2016 • Conference of Birds, Shirley Fiterman Art Center, curated by Brenda Zlamany, Borough of Manhattan Community College, NYC

2014 • 20th Anniversary Show, Pierogi Gallery, Brooklyn, NY

2014 • Pressed Flowers, curated by Catherine Howe, Lesley Heller Gallery, NYC

2012 • Rockslide Sky, curated by Carleen Sheehan, Fordham University at Lincoln Center, NYC

2012 • Modern Times, curated by Shari Mendelson, Lesley Heller Gallery, NYC

2012 • Text, Studio 10, Brooklyn, NY

2012 • Textility, Visual Arts Center of New Jersey 

2012 • Spring in Boston, Drive-By Gallery, Watertown, MA

2012 • Sculpture, Big, Small and Casual Gallery, Long Island City, NY

2011 • Spiral Bound, curated by Howard Foster, UC San Diego, CA

2011 • Flag Day, Islip Museum, Islip Long Island, NY, curated by Janet Goleas

2010 • Teacup Show,  Rose Burlingham and Turtle Point Press, New York City

2010 • Poisoned Apples, curated by Monroe Denton, Fredereike Taylor Gallery, NYC

2010 • Cognitive Consciousness, Lesley Heller Gallery, curated by Robert Walden, NYC

2009 • By a Thread, Elizabeth Harris Gallery, curated by Miles Manning, New York City

2009 • Twin, Twin, curated by Matt Freedman, Big, Small Casual Gallery, Long Island City

2009 • Deaccession, curated by Amanda Sheck and Philae Knight, FLAG Foundation, NYC   

2009 • Laura Newman and Mary Carlson, Big, Small Casual Gallery, Long Island City

2008 • Pulse Art Fair, New York Foundation for the Arts booth, New York City

2007 • Group Show, Rose Burlingham & Lindsey Brown, Clinton Corners, New York

2006 • Color Correction, Roger Smith Hotel, NYC

2006 • B Side, Sarah Bowen Gallery, Brooklyn, NYC

2005 • Monochrome, Elizabeth Harris Gallery, NYC

2005 • Somewhere Outside It, Schroeder/Romaro, Brooklyn

2005 • Synthesis and Distribution: Experiments in Collaboration, Pace University, NYC

2005 • Ripe for Picking, Jim Kempner, New York City

2004 • Power T’s, Pierogi Gallery and Four Walls, Brooklyn

2003 • Pins and Needles, John Michael Kohler Arts Center, Sheboygan, WI

2003 • Water, Water, curated by Lilly Wei, Rotunda Gallery, Brooklyn, NY

2003 • Williamsburg Salon, Central Connecticut State University, New Britain, CT

2003 • Vessels, curated by Joe Fyfe, Jane Hartsook Gallery, Greenwich House Pottery, NYC

2001 • Brooklyn, Palm Beach Institute of Contemporary Art, Lake Worth, FL

2001 • Sculpture, Flipside Gallery, Brooklyn, NY

2001 • Wonderland, Massachusetts College of Art, Boston (catalog) 

2001 • Collecting Ideas:Works for the Polly and Mark Addison Collection, Denver Art Museum

2000 • Snapshot, Contemporary Museum, Baltimore

2000 • Galerie Brigitte Weiss, Zurich, Switzerland

2000 • Ethereal and Material, Delaware Center for the Contemporary Arts, Wilmington 

2000 • Muscle: Power of the View, Boulder Museum of Contemporary Art

2000 • Quirky, Adam Baumgold Gallery, New York City 

2000 • Gallery Artists, Bill Maynes Gallery, New York City

1999 • Skin, Deste Foundation, Athens, Greece

1999 • Avoiding Objects, Apex Art, New York City

1999 • Lab Works, Islip Art Museum, Islip, New York

1998 • Conversation – Gregory Botts and Mary Carlson, Art Resources Transfer, NYC

1998 • Surreal Pop – Aldrich Museum, Ridgefield, Connecticut

1998 • A.R.T., Vedanta Gallery, Chicago, Illinois

1997 • Engel, Engel, Kunsthalle am Wien, Vienna, Austria and Galerie Rudolfinum, Prague, Czech Republic

1997 • Projects.doc, Shiffler Collection, Cincinnati, Ohio

1996 • Shirts & Skins, Contemporary Museum, Honolulu, Hawaii

1996 • SculptureCenter at Roosevelt Island, SculptureCenter, New York City

1996 • Body Language - New York, Florida State University, Tallahassee, Florida

1996 • Thin Air: Examining the Ethereal, Elsa Mott Ives Gallery, New York City

1995 • Identia e Alterita, Venice Biennale, Museo Correr, Venice, Italy

1995 • …It’s How You Play the Game, Exit Art/The First World, New York

1995 • More Than Real, Gallery 404, University of Illinois, Chicago

1995 • Susan Inglett Gallery, Gramercy Park Hotel, New York

1994 • Created/Mutated, Dru Arstark Gallery, New York

1994 • Material Concerns, Rotunda Gallery, Brooklyn

1994 • Whateva, Dru Arstark Gallery, New York

1993 • Exquisite Corpse, Drawing Center, New York

1993 • Artists’; Early Work, Max Protetch Gallery, New York

1993 • Group Show, Cheryl Haines Gallery, San Francisco

1993 • Clothing as Metaphor, The Art Museum, Florida International University, Miami

1993 • Mapping: An Index of Experience, Germans van Eck, New York

1993 • Patently Missing, Barbara Krakow Gallery, Boston

1993 • Bodily, Penine Hart Gallery, New York

1992 • Getting to kNOw you, Kunstlerhaus Bethanien, Berlin and Stadtisches Kaufhaus, Leipzig, Germany

1992 • A New American Flag, Max Protetch Gallery, New York

1991 • The Interrupted Life, The New Museum, New York

1990 • Something Strange, White Columns, New York

1990 • Blood Remembering, Newhouse Gallery, Snug Harbor, Staten Island

1990 • Death and Desire, Tom Cugliani Gallery, New York

1989 • Psychological Abstraction, Deste Foundation, Athens, Greece

1988 • Ironic Abstraction, University Art Galleries, University of South Florida, Tampa

1988 • Window Installation, Grey Art Gallery, New York University, New York

1988 • Desired Paths, Outdoor Sculpture at Schulman Park, White Plains, New York

1988 • Shape as Form, Penine Hart Gallery, New York

1987 • The Level of Volume, Carl Solway Gallery, Cincinnati, Ohio

1986 • Group Show, Lang & O’Hara Gallery, New York

1986 • Emerging Artists 1986, Cleveland Center of Contemporary Art, Cleveland 

1986 • New Sculpture, Michael Klein, inc., New York

1985 • Summer Selection, Castelli Uptown Gallery, New York

1985 • New Art, Modernism Gallery, San Francisco

1985 • Appropriations: Black & White, Vanguard Gallery, Philadelphia

 

PRESS

Will Heinrich, Critics Notebook, New York Times, October 15, 2020   view

Andrea K Scott, Art, The New Yorker, October 26, 2020

Stephen Maine, Mary Carlsons Favorite Demons - What does evil look like? Hyperallergic.com   link

Romanov Graves, Mary Carlson - Studio Visit, Friday, January 2, 2015   link

New York Times, Ken Johnson, Art in Review: Paradise, May 29, 2014   view

New York Magazine, Jerry Saltz, "To Do", June 4, 2014   view

Bomb, Beautiful Big Blue Beast, Jane Dickson interviews Mary Carlson, Oct 23, 2012   link

Paul D'Agostino, Art Picks, L Magazine, October 25, 2012

Brody, David, Lady MacBeth's Fingernail Polish, Mary Carlson at Studio 10, ArtCritical, November 18, 2012   link

Foster, Howard, Romanov Grave, December 27, 2010   view

Perreault, John, Artopia - May 2010 (review starts half way down the page)   view

Kalm, James, "Faded Flag", video of opening at Long Island University, May 2010   link

Johnson, Ken, "The Listing", New York Times, April 21, 2006   view

Conner, Jill, artnet.com, 6/10/2006   link

Mueller, Stephen, Gay City News,"Personal Statements in Just One Color", June 23 - 29, 2005   view

Johnson, Ken, "The Listing", New York Times, July 22, 2005   view

Barone, Mary. "Out with Mary", Artnet, Nov 11, 2005

Auer, James."Arts center goes its own way", Milwaukee Journal Sentinel, November 25, 2003

Conner, Jill. artnet.com, 3/10/2003   link

Robinson, Walter. artnet.com   link

Gomez, Edward M. "Taking the Spirit of Brooklyn on a Florida Vacation", The New York Times, Sunday, September 26, 2001   view

Johnson, Ken. "Art in Review", The New York Times, Friday, April, 2001   link

Temin, Christine, "Imagination Runs Wild in ‘Wonderland", The Boston Globe, January 30, 2001

.Etheral and Material, exhibition catalog, Delaware Center for the Contemporary Arts, September 21 - November 21, 2000.

Kino, Carol. "Mary Carlson at Bill Maynes", Art in America, February, 2000   view

Omlin, Sibylle, “Nicht nach der Nature, “Neue Zurcher Zeitung, January 12, 2000.

Robinson, Walter, artnet.com, 6/9/1999   link

Art Galleries", The Village Voice, June 1, 1999

Schmerler, Sarah. "Avoiding Objects", Time Out New York, February 4-11, 1999 (illustrated).

Harrison, Helen A. "In Islip, Experimentation and Installation," The New York Times, August 29, 1999.

Robinson, Walter. artnet.com, 10/2/1998   link

Drolet, Owen. "Mary Carlson - Bill Maynes", Flash Art, May-June 1998

Schaffner, Ingrid. "Mary Carlson at Bill Maynes", ArtForum, May 1998   view

Pop Surrealism, exhibition catalogue, The Aldrich Museum of Contemporary Art, Ridgefield, Connection, 1998

Nahas, Dominique. "Review", Mary Carlson, December 1, 1997   view

Pilcher, Cathrin, Editor. :Engel:Engel, Legenden der Gegenwart, exhibition catalog, Kunsthalle Wien, Springer Wien/New York publishers, 1997.

Gluck, Grace "Art Guide ", The New York Times, Friday, November 28, 1997

Denton Monroe. Mary Carlson: Furnished, exhibition catalogue, Bill Maynes Contemporary Art, New York, February 1996.

Princenthal, Nancy. "Mary Carlson at Bill Maynes", Art in America, November 1996   view

.Body Language, exhibition catalogue, Museum of Fine Arts, Florida State University, Tallahassee, Florida, October 1996.

Cotter, Holland, "Art in Review", The New York Times, Friday, March 1, 1996   view

Identita e Alterita: Figures of the Body 1895/1995, exhibition catalogue, la Biennale di Venezia. Marsilio Editori, June 1995

Smith, Roberta, "The New, Irreverent Approach to Mounting Exhibitions,"The New York Times, January 6, 1995

Wallach, Amei, "Dialogue Among Curators Is a Mind Game With Art", Newsday, December 30, 1994   view

Levin, Kim, "Choices", The Village Voice, December 27, 1994

Larson, Kay. Clothing as Metaphor, exhibition catalogue, The Art Museum, Florida International University, Miami, January 1993.

Cottingham, Laura. "getting to kNOw you: Sexual Insurrection and Resistance", Neue Bildende Kunst

.Getting to Know You: Sexual Insurrection and Resistance, exhibition catalogue, Kunstlerhaus Bethanien, Berlin; Spring 1993.

Cotter, Holland. "Art in Review", The New York Times, Friday, April 10, 1992   view

."Goings on about Town", The New Yorker, April 6, 1992

.The Interrupted Life, exhibition catalogue, The New Museum of Contemporary Art, New York, September 1991.

.Listings in The New York Times

Faust, Gretchen. "New York in Review", Arts Magazine, February 1991

Zimmer, William. "Everyday Expectations with a Twist", The New York Times, December 23, 1990

Deitch, Jeffrey. Psychological Abstraction, exhibition catalogue, Deste Foundation, Athens, Greece, July 1989.

Rinder, Larry. "Corporate Culture", Manhattan, Inc., February 1987

Cameron, Dan. "Ten to watch", Arts Magazine, September 1986   view

Brenson, Michael. "Participation in the Cultural Zoo", The New York Times May 30, 1986