NANCY HOLT
American, 1938-2014

Untitled drawing for a "Locator", #2 graphite on paper 13.25" x 15.75" 1973

Untitled drawing for a "Locator", #2
graphite on paper
13.25" x 15.75"
1973

 

Nancy Holt (1938–2014) was central to the earth, land and conceptual art movements as well as a pioneer of site-specific installation and experimental moving image. She recalibrated the limits of art, expanding the places where art could be found and embraced the new media of her time. Across five decades, she asked questions about how we might understand our place in the world, consistently investigating the relationships between perception, systems, and place. Holt’s rich artistic output spans concrete poetry, audioworks, film and video, photography, slideworks, ephemeral gestures, drawings, room-sized installations, earthworks, artists’ books, and public sculpture commissions.

Born in Worcester, Massachusetts, Holt grew up in New Jersey. She graduated from Tufts University, where she majored in biology. Upon graduating in 1960 she moved to New York City and became a vital part of the city’s network of genre changing artists. Her first group exhibition was Language III at Dwan Gallery in 1969, her first solo at l0 Bleecker Street in 1972. Numerous exhibitions, screenings, and commissions followed.

From her earliest works Holt was attentive to language as a system structuring our understanding of place. In the mid-1960s she was an assistant literary editor at Harper’s Bazaar and in 1966 began creating concrete poems. In the ensuing years she extended her language explorations from the page to the landscape, as well as to photography, film, video, and audio. Holt extended this focus to trace in her artworks the systems of the stars, the functions of the built environment, and human mapping of landscape.

Photography was an essential medium. Trail Markers (1969) and California Sun Signs (1972) use seriality to create visual poems, while Sunlight in Sun Tunnels (1976) and the Light and Shadow Photo Drawings (1978) turn to ever-shifting light cycles. In 1971 Holt started her Locators, sculptural “seeing devices” comprising T-shaped industrial piping to be looked through with one eye. Drawing attention to visual perception and place, the Locators first focused on views from and in her studio, expanding into the landscape and, with the landmark Sun Tunnels (1973–76), to astronomical time. Located in Utah’s Great Basin Desert, ​Sun Tunnels ​comprises four concrete structures arranged in a cross formation, positioned to frame the sun as it rises and sets during the solstices. Perforations in the tunnels follow the constellations of Draco, Perseus, Columba, and Capricorn, allowing light projections to be cast inside.

Whether emanating from the stars or plugged to electricity grids, the perceptual qualities of light fascinated Holt. The room-sized installation Mirrors of Light (1973–74) materializes light reflections and brings awareness to the body in space through the careful positioning of mirrors, a theatre spotlight, and the perceiver. In the 1980s Holt’s exploration of systems moved to the built environment with her Systems Works, sculptures connecting to usually unseen internal architectural organs. Electrical System (1982), for example, comprises more than a hundred light bulbs connected to the museum’s power system which Holt described as being “part of open-ended systems, part of the world.”

Investigations of light and systems continued at a larger scale in Holt’s outdoor sculptures. Many, but not all, of Holt’s sculptural ideas were realized. Consistently she used drawing as a medium to think through and articulate sculptural thinking. Her works on paper range from careful detailing to mathematical calculations and full renderings.

In 2014, Nancy Holt willed the Holt/Smithson Foundation into being. The artist-endowed foundation is dedicated to the art and ideas of Holt and her husband the artist Robert Smithson and will continue to develop their distinctive creative legacies.

- Courtsey of Sprüth Magers

 

SOLO SHOWS

2020 • Nancy Holt: Utah Sequences, Utah Museum of Fine Arts, Utah

2020 • Nancy Holt: Points of View, Parafin, London, UK

2018 • Nancy Holt, Dia: Chelsea, New York, New York

2017 • Holes of Light, Galeria Parra & Romero, Ibiza, Spain

2015 • Nancy Holt: Locators, Parafin, London

2011 • Sightlines, Badischer Kunstverein, Karlsruhe, Germany

2010 • Sightlines, Wallach Gallery, Columbia University, New York, New York

1993 • John Weber Gallery, New York, New York

1989 • Montpelier Cultural Arts Center, Laurel, Maryland

1987 • Lakeside Gallery, Richland College, Dallas, Texas

1986 • John Weber Gallery, New York New York

1985 • Flow Ace Gallery, Los Angeles, California

1984 • John Weber Gallery, New York, New York

1982 • David Bellman Gallery, Toronto, Canada

1982 • John Weber Gallery, New York, New York

1981 • Saginaw Art Museum, Saginaw, Michigan

1979 • Miami University Art Museum, Oxford, Ohio

1979 • John Weber Gallery, New York, New York

1977 • Franklin Furnace, New York, New York

1974 • Walter Kelly Gallery, Chicago, Illinois

1974 • Clocktower, New York, New York

1974 • Bykert Gallery, New York, New York

1973 • LoGuidice Gallery, New York, New York

1972 • Fine Arts Center, University of Rhode Island, Kingston

1972 • Art Gallery, University of Montana, Missoula

1972 • 10 Bleecker Street, New York, New York

GROUP SHOWS

2020 • Mirage: Energy and Water in the Great Basin, Sun Valley Center for the Arts, Ketchum, Idaho

2020 • Our Present, Museum für Gegenwartskunst Siegen, Germany

2019 • Coordinates: Maps and Art Exploring Shared Terrain, David Rumsey Map Center, Stanford University, California

2019 • Another West, Fraenkel Gallery, San Francisco, California

2019 • Moonlight – 50 Years of Photographing the Moon, Hasselblad Center, Goteborg, Sweden

2018 • Tempus Fugit, Galeria Cayón. Menorca, Spain

2011 • Land Art in Berlin, Hamburger Bahnhof—Museum für Gegenwart — Berlin, Germany

2010 • Mirror Images: Great Salt Lake, Tanner Atrium, Jewett Center for the Performing Arts, Westminster College, Salt Lake City, Utah

2010 • Artpark, The First Ten Years, 1974-1984, University of Buffalo Art Gallery, Center for the Arts

2009 • Minimalisms and Correspondences: Works on Paper from the Sally and Wynn Kramarsky Collection, New York, New York, Museum de Arte Contemporaneo Esteban Vicente, Segovia, Spain

2009 • Chat D’Oeuvres: The First New York, New York Cat Art Film Festival, Anthology Film Archives, New York, New York

2008 • Land/Art/Film, Haunch of Venison Gallery, London, UK

2008 • Elucidée, Out of the World Gallery, Territet-Montreux, Switzerland

2008 • Decoys, Complexes, and Triggers: Feminism and Land Art in the 1970s, Sculpture Center, New York, New York

2007 • Elsewhere, University of South Florida Contemporary Art Museum, Tampa, Florida

2007 • Cosmologies, James Cohan Gallery, New York, New York

2004 • The Big Nothing, Institute of Contemporary Art, Philadelphia, Pennsylvania

2002 • Personal and Political: The Woman’s Art Movement 1969-1975, Guild Hall, East Hampton, New York, New York

2001 • Century City: Art and Culture in the Modern Metropolis, Tate Modern, London, UK

2000 • Sites/Sights of Passage: Art of the New Jersey Turnpike, James Howe Fine Arts Gallery, Kean University, Union, New Jersey

2000 • Real To Reel: Land And Environmental Art On Screen, OTA Fine Arts, Tokyo

2000 • Formations of Erasure: Earthworks and Entropy, The Center For Land Use Interpretation, Culver City, California

2000 • Afterimage: Drawing through Process, Museum of Contemporary Art, Los Angeles, California and Contemporary Arts Museum, Houston, Texas

1999 • The American Century: Art and Culture 1900-2000, Whitney Museum, New York, New York

1999 • Primarily Structural, P. S. 1, New York, New York

1997 • Places That Are Elsewhere, David Zwirner Gallery, New York, New York

1997 • Land Marks, John Weber Gallery, New York, New York

1997 • Art About the Environment IV, Center for Art and Earth, New York, New York

1996 • Trilogy: Art-Nature-Science, Kunsthallen Brandts Klaedefabrik, Odense

1996 • Present and Futures: Architecture in Cities, Centro de Cultura Contemporania de Barcelona

1996 • Max's Kansas City's 30th Anniversary Art Exhibition, 65 Thompson Street Gallery, New York, New York

1996 • Land Uses-Wendover Area, The Center for Land Use Interpretation, Wendover, Utah

1994 • The Lure of the Local, CU Art Galleries, University of Colorado at Boulder, Colorado

1994 • Paper Work, John Weber Gallery, New York, New York

1994 • Mapping, Museum of Modern Art, New York, New York, October, 1994

1994 • A Natural Dialogue, International Sculpture Center, traveling exhibition, Washington DC

1994 • 423 mph, Art Gallery of Hamilton, Hamilton, Ontario, Canada

1993 • The First Art Triennale at the Bottom of the Gulf Botnia, Aineen Taidemuseo, Tornio, Finland

1993 • Creative Solutions to Ecological Issues, Dallas Museum of Natural History; Laumeier Sculpture Park, St. Louis, Missouri; Arthur Ross Gallery, University of Pennsylvania, Philadelphia, Pennsylvania; Longwood Fine Art Center, Farmville, Virginia

1992 • Volume: Six Contemporary Sculptors, Guild Hall Museum, East Hampton, New York, New York

1992 • This Sporting Life, 1878-1981, High Museum of Art, Atlanta, Georgia; Museum of Fine Arts, Springfield, Massachusetts; Delaware Art Museum, Wilmington, Delaware; Albright-Knox Art Gallery, Buffalo, New York, New York

1992 • International Fax Show, Philip Steele Gallery, Colorado College of Art, Denver, Colorado Strata, Tampere Art Museum, Finland

1992 • Fragile Ecologies: Artists Interpretations and Solutions, Queens Museum, Flushing, New York, New York; Whatcom Museum, Bellingham, Washington; San Jose Museum of Art, San Jose, California; Madison Art Center, Madison, Wisconsin; De Córdova Museum, Lincoln, Massachusetts; Center for the Fine Arts, Miami, Florida

1991 • Consumer Tools: Personal Visions, Museum of Modern Art, New York, New York

1990 • The Political Landscape, March-April, l990, Hillwood Art Museum, CW. Post Campus, Brookville, New York, New York

1990 • Amerikanische Videos aus Den Jahren, 1965-75: The Castelli/Sonnabend Tapes and Films, Ausstellungsraum Kunstlerhaus, Stuttgart; Kunsthalle St. Gallen, Wassergasse

1990 • Aging: The Process, the Perception, Forum Gallery, Jamestown, New York

1989 • Peace Garden Design Exhibition, National Building Museum, Washington, DC

1989 • On Site/New England Public Art in Perspective, Bank of Boston, Massachusetts Gallery, Boston, Massachusetts

1989 • International Contemporary Art, Selected Recent Acquisitions and Promised Gifts, Art Gallery of Ontario, Canada

1989 • Contemporary Women Drawers, Hillwood Art Gallery, Long Island University, Blum Helman Gallery (SoHo), New York, New York

1988 • Projects & Proposals: New York City's % for the Art Program, Department of Cultural Affairs, New York, New York

1988 • International Conference of Sculpture, Dublin, Ireland

1987 • Women's Autobiographical Artists' Books. Fine Arts Gallery, University of Wisconsin, Milwaukee

1987 • Standing Ground; Sculpture by American Women, The Contemporary Arts Center, Cincinnati, Ohio

1986 • The Tar Show, Attitude Art, New York, New York

1986 • The Law and Order Show, Leo Castelli, Barbara Gladstone and John Weber Galleries, New York, New York

1986 • Ten Years of Video: The Greatest Hits of the 70s. The Museum School, Boston, Massachusetts; Rhode Island School of Design, Museum of Art, Providence, Rhode Island; Ball State University, Muncie, Indiana

1986 • Television's Impact on Contemporary Art, The Queens, New York, New York

1986 • Sky Art, Visual Arts Center of Alaska, Anchorage

1986 • Sculpture for Public Spaces: Maquettes, Models and, curated by Sam Hunter, Marisa del Re Gallery, New York, New York

1986 • Public Sculpture: Proposals for and Documentation of Large Scale Outdoor Sculpture, Toni Birckhead Gallery, Cincinnati, Ohio

1986 • Por Encima del Bloqueo, Casa de La Obrapia, Habana Vieja, Cuba

1986 • Imagining Antarctica, Museum der Stadt Linz, Linz, Austria

1986 • Film < Artists > Film, School of Visual Arts Amphitheater, New York, New York

1986 • En Camino -- Mexico -- Cuba, Collection of U.S. art for the people of Cuba, Museo del Chopo, Mexico City, Mexico and Havana, Cuba

1986 • Contemporary Primitivism, Art Gallery, University of Colorado, Colorado Springs, Colorado

1986 • Artists for Artists, Charles Cowles Gallery Annex, New York, New York

1986 • Artists Film at White Columns, White Columns Gallery, New York, New York

1986 • Art in the Environment, Boca Museum, Boca Raton, Florida

1986 • Architectural Images in Art, Curated by the Atlanta Chapter of the American Institute of Architecture, Fay Gold Gallery, Atlanta, Georgia

1986 • Alaskan Impressions, Visual Arts Center of Alaska, Anchorage

1985 • Zeit und Sonne, Hornmoldhaus, Bietigheim- Bissingen, West Germany

1985 • The Subway Show, Lehman College Art Gallery, Bronx, New Long Island Estate Gardens, Hillwood Art Gallery, C.W. Post Campus, Long Island University, New York, New York

1985 • The Maximal Implications of the Minimal Line, Edith C. Blum, Art Institute, Bard College, Annandale-on-Hudson, New York, New York

1985 • The Comet Show, curated by Aymon de Sales, Light Gallery, New York, New York

1985 • Temple Gallery Inaugural Exhibition, Temple Gallery, Philadelphia, Pennsylvania

1985 • Second Talent: Painters and Sculptors Who Are Also Photographers, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut

1985 • Public Art in the Eighties: Documentation of Selected Projects, Curated by Jean Feinberg, Jamie Skoze Gallery, New York, New York

1985 • In 3 Dimensions: Recent Sculpture by Women, Pratt Institute Gallery, New York, New York

1985 • Guerrilla Girls Exhibition, Palladium, New York, New York

1985 • Greek Biennale, Athens, Greece

1985 • Artists and Architects: Challenges in Collaboration, Cleveland Center for Contemporary Art, Cleveland, Ohio

1985 • Artist as Social Designer, Los Angeles, California County Museum of Art, Los Angeles, California

1985 • Art Inspired by Ohio Prehistoric Earthworks, Toni Birckhead Gallery, Cincinnati, Ohio

1985 • Art and the Environment, Lever House Gallery, New York, New York

1985 • 24th Anniversary Exhibition, Flow Ace Gallery, Los Angeles, California

1984 • Viewpoint: The Artist as Photographer, Summit Art Center, Summit, New Jersey

1984 • Time: The Fourth Dimension in Art, Palais du Beaux Arts, Brussels, Belgium/Musee d'Art et d'Historie, Geneva, Switzerland

1984 • The Light Aesthetic, North Carolina Museum of Art, Raleigh, North Carolina

1984 • Sited Towards the Future: Proposals for Public Sculpture, Arlington Arts Center, Arlington, Virginia

1984 • Quebec 1534 - 1984, Quebec City, Quebec, Canada

1984 • Preparations and Propositions, Islip Museum of Art, Islip, Long Island, New York, New York

1984 • Private Art as Public Monument: World's Fairs, Waterfronts, Parks and Plazas, Rhona Hoffman Gallery, Chicago, Illinois

1984 • New American Video Art: A Historical Survey, 1968-1980, Whitney Museum of American Art, New York, New York

1984 • Natural Elements Sculpture Park Proposals, Santa Monica Arts Commission, Santa Monica, California

1984 • Landmarks, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York, New York

1984 • Drawings by Sculptors: Two Decades of Non-Objective Art from the Seagram Collection, Montreal Museum of Fine Arts, Montreal, Canada

1984 • Content: A Contemporary Focus, 1974-1984, Hirschhorn Museum, Washington, DC

1984 • Artists' Call, Rosa Esman Gallery, New York, New York

1984 • American Women Artists, Part II, Sidney Janis Gallery, New York, New York

1983 • Varieties of Sculptural Ideas, Max Hutchinson Gallery, New York, New York

1983 • The Trisolini Print Project, Trisolini Gallery, Ohio University, Athens, Ohio

1983 • The House That Art Built, University of California at Fullerton, California

1983 • Site Art, George Mason University, Fairfax, Virginia

1983 • Monuments and Landscapes: The New Public Art, McIntosh/Drysdale Gallery, Houston, Texas

1983 • Independent Artists Open Air Sculpture Exhibition, Marlay Park, Dublin, Ireland

1983 • Independent Artists, Douglas Hyde Gallery, Trinity College, Dublin, Ireland

1983 • Illumination, Museum of Modern Art, N. Y. Art Lending Service Exhibition at General Electric Co., New York, New York

1983 • Beyond the Monument, Hayden Gallery, MIT, Cambridge, Massachusetts

1983 • Artists Books and Documents, Wallace Memorial Library Galleries, Rochester Institute of Technology, New York, New York

1983 • Artists as Filmmakers, A. I. R, Gallery, New York, New York

1983 • Art of the 60s, P. S. 1, New York, New York

1983 • A Television Show, Proctor Art Center, Bard College, Annandale- on –Hudson, New York, New York

1982 • Works by Women, Film and Video Festival, Barnard College, New York, New York

1982 • Women Sculptors' Drawings, Max Hutchinson Gallery, New York, New York

1982 • Une Expérience Museographique: Exchange Entre Artistes 1931-1982 Pologne-U.S.A., Museum of Modern Art of the City of Paris, Paris, France

1982 • The Monument Redefined: Gowanus Annual II, Gowanus Memorial Artyard, Brooklyn, New York, New York

1982 • Summer Group Show, John Weber Gallery, New York, New York

1982 • Sculptors Films, Collective for Living Cinema, New York, New York (Pine Barrens)

1982 • Post Minimalism, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut

1982 • Photographs By/Photographs In, Daniel Wolf Gallery, New York, New York

1982 • Drawings, Models and Sculptures, Fourteen Sculptors Gallery, New York, New York

1982 • Drawings by Contemporary Sculptors, Art Gallery, British Columbia, Canada

1982 • Currents: A New Mannerism, Jacksonville Art Museum, Florida

1982 • Citysite Sculpture: Starting Line, Market Gallery, Toronto, Canada

1982 • Artists' Books: A Survey 1960-1981, Ben Shahn Center for the Visual Arts, William Paterson College, Wayne, New Jersey

1981 • Whitney Biennial, Whitney Museum, New York, New York

1981 • Transition II: Landscape/Sculpture, Amelie Wallace Gallery, SUNY, Old Westbury, New York, New York

1981 • Summer Light, Museum of Modern Art, New York, New York

1981 • Schemes: A Decade of Installation Drawings, Elise Mayer Gallery, New York, New York

1981 • New Directions, organized by Sam Hunter, Janis Gallery, New York, New York

1981 • New Dimensions in Drawing 1950-1980, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut

1981 • Natur-Skulptur/Nature-Sculpture, Wurttenbergischer Kunstuerein, Stuttgart, Germany

1981 • Monumental Art Show, Gowanus Art Yard, Brooklyn, New York

1981 • Mapped Art: Charts, Routes, Regions, traveling exhibition by Independent Curators Inc., New York City, Chicago Museum of Contemporary Art, and University of Colorado, Boulder, Colorado

1981 • Heresies Invitational Benefit Exhibition, Grey Art Gallery, New York University, New York, New York

1981 • Group Show, John Weber Gallery, New York, New York

1981 • Construction in Process in the Art of the 70s, a traveling exhibition in Poland, Archives of Contemporary Thought, Lodz, Poland

1981 • Artists Make Architecture, Rosa Esman Gallery, New York, New York

1981 • Artists' Gardens and Parks, Hayden Gallery, MIT, Cambridge, Massachusetts

1981 • Artists' Books, Zone, Springfield, Massachusetts

1981 • Alternatives in Retrospect: An Historical Overview 1969-1975, The New Museum, New York, New York

1980 • The Moving Image: Film and Video Festival, Women's Interart Center, New York, New York

1980 • Speaking Volumes: Women Artists' Books, A.I R. Gallery, New York, New York

1980 • International Festival of Women Artists, Copenhagen, Denmark

1980 • Inaugural Group Show, David Bellman Gallery, Toronto, Canada

1980 • Group Show, John Weber Gallery, New York, New York

1980 • cARTography, Kohler Arts Center, Sheboygan, Wisconsin

1980 • Aspects of the Seventies: Sitework, Wellesley College, Wellesley, Massachusetts

1980 • Artists from the John Weber Gallery, University of South Florida, Tampa

1980 • Artists in the American Desert, Sierra Nevada Museum of Art, Reno, Nevada

1980 • Art Into Landscape, Harold Reed Gallery, New York, New York

1980 • Architectural Sculpture, Los Angeles, California Institute of Contemporary Art, Los Angeles, California

1980 • A Sense of Place: The American Landscape in Recent Art, Hampshire College Gallery, Amherst, Massachusetts

1980 • 11th International Sculpture Conference, Washington, DC

1979 • Whitney Biennial, Whitney Museum of American Art, New York, New York

1979 • Video Roma 1979, Museo Folklore Romano, Rome, Italy

1979 • Summer Group Show, John Weber Gallery, New York, New York

1979 • Sound Art, P. S. 1, New York, New York

1979 • Shorts and Documentaries, Museum of Modern Art, New York, New York in conjunction with the Exhibition of Selections from the Sculpture Collection

1979 • Sculpture, Objects, Issues, Ohio State University, Columbus

1979 • Sculptors' Photographs, Hunter Gallery, New York, New York

1979 • Radio Art, A Space, Toronto, Canada

1979 • Born in Boston, Massachusetts, DeCordova Museum, Lincoln, Massachusetts

1979 • Art and Architecture: Space and Structure, Protetch-McIntosh Gallery, Washington, DC

1979 • America Now: The Arts of the 70's, a traveling exhibition organized by the U. S. government, Belgrade, Yugoslavia

1978 • Video-Film 1976-78, Castelli Gallery, New York, New York

1978 • Out of the House, Whitney Museum Downtown, New York, New York

1978 • New York, New York Video Festival, a traveling exhibition in New York State organized by the Experimental TV Center, Binghampton, New York, New York

1978 • Made for TV? Kitchen Center for Video and Music, New York, New York and Long Beach Museum of Art, California

1978 • Berlin Film Festival, Germany

1977 • Works and Projects of the 70's, PS 1, New York, New York

1977 • Whitney Biennial, Whitney Museum of American Art, New York, New York

1977 • Video, Geneva Museum, Geneva, Switzerland

1977 • Video Art, Walker Art Center, Minneapolis, Minnesota

1977 • Probing the Earth: Contemporary Land Projects, Hirschhorn Museum, Washington, DC

1977 • EXPO: Los Angeles, California International Film Festival, Los Angeles, California

1977 • Drawings for Outdoor Sculpture: 1946-1977, John Weber Gallery, New York, New York

1976 • Video, Temple University, Philadelphia, Pennsylvania

1976 • Scale, Visual Arts Building, New York, New York

1976 • Private Notations: Artists' Sketchbooks II, Pennsylvania College of Art, Philadelphia

1976 • Art in Landscape, traveling exhibitions organized by Independent Curators, Inc., Washington, DC

1975 • Video Art USA, Contemporary Arts Center, Cincinnati, Ohio

1975 • Video Art, Institute of Contemporary Art, Philadelphia, Pennsylvania

1975 • Video '75, Corcoran Museum of Art, Washington, DC

1975 • Video, The New Gallery, Cleveland, Ohio

1975 • Sense of Reference, Art Gallery, University of California, San Diego, California

1975 • São Paolo Biennelle, Brazil

1975 • Oxbow Film and Video Festival, Saugatuck, Michigan

1975 • Not Photography - Photography, Fine Arts Building, New York, New York

1975 • New American Filmmaker Series, Whitney Museum of American Art, New York, New York

1975 • Documentaries, Global Village, New York, New York

1975 • Autogeography, Whitney Museum Downtown, New York, New York

1975 • Art Transition, MIT, Cambridge, Massachusetts

1975 • Artpark, Lewiston, New York, New York

1975 • A Response to the Environment, University Art Gallery, Rutgers University, New Jersey

1974 • Video Art, Institute of Contemporary Art, Boston, Massachusetts

1974 • Video, Kitchen Center for Video and Music, New York, New York

1974 • Video, Castelli Gallery, New York, New York

1974 • Words/Works, The Clocktower, New York, New York

1974 • Project 74, Kunstmesse, Cologne, Germany

1974 • Painting and Sculpture Today 1974, Indianapolis Museum of Art, Indiana

1974 • Intervention in the Landscape, Hayden Gallery, MIT, Boston, Massachusetts

1974 • Film, Sonnabend Gallery, New York, New York

1974 • Confrontation Art/Video 74, Museum of Modern Art, Paris, France

1974 • Collectors' Video, Los Angeles, California County Museum, Los Angeles, California

1974 • Artpark, Lewiston, New York, New York

1974 • Art Now, Kennedy Center, Washington, DC

1974 • About 405 E. 13th St., 405 East 13th Street, New York, New York

1973 • Women Film Makers, New York Cultural Center, New York, New York

1973 • Conceptual Art, Women's Interart Center, New York, New York

1973 • Circuit, Everson Art Museum, Syracuse, New York, New York

1973 • c. 7,500, a traveling museum exhibition organized by Lucy Lippard

1973 • Art in Evolution, Xerox Square Exhibit Center, New York, New York

1972 • Work Space, Ground Floor, 10 Bleecker Street, New York, New York

1972 • International Art Exhibition, Pamplona, Spain

1972 • 6 Artists, John Weber Gallery, New York, New York

1972 • 5 Artists, John Weber Gallery, New York, New York

1969 • Language III, Dwan Gallery, New York, New York