ELENA SISTO (b. 1952 Cambridge, MA) is known for her figurative paintings that frequently focus on the experiences of being a woman. She received her BA in Art from Brown University and Rhode Island School of Design. In addition, she studied at the New York Studio School, the Skowhegan School and Yale Norfolk. She was awarded a Louis Comfort Tiffany Foundation Biennial Grant in 2022. She is a 2013 recipient of the John Simon Guggenheim Foundation Fellowship, National Endowment for the Arts Visual Artist’s Fellowships (1983-84 and 1989-90), the Inglis Griswold Nelson Prize from the National Academy of Design (2008) and is a Fellow of the National Academy. Sisto has been the subject of numerous solo shows including those at the Maier Museum, the Greenville County Museum of Art, the American University Museum at the Katzen Center, and the Miami-Dade Museum of Art + Design. She was also included in the 43rd Corcoran Biennial. The artist lives and works in New York City and Milan, NY.
Education
1975 • Brown University, B.A.
1975-1977 • New York Studio School
Exhibtions
SOLO EXHIBITIONS
2025 • She Opened Her Ear to the Great Below, Pamela Salisbury Gallery, Hudson, NY
2024 • Trickster Makes This World (For Lewis Hyde), Bookstein Projects, New York, NY
2022 • wonder women, Pamela Salisbury, Hudson, NY
2021 • Empathy Machine, Shoshana Wayne, Los Angeles, CA
2018 • As We Dream, Bookstein Projects, New York, NY
2016 • Afternoons, Lori Bookstein Fine Art, New York, NY
2012-2013 • Between Silver Light and Orange Shadow, Miami Dade College Museum of Art + Design/University of Florida, Gainesville/Lori
Bookstein Fine Art, New York, NY
2008 • Katzen Museum of Art, American University, Washington, D.C.
2004 • From Life, Littlejohn Contemporary, New York, NY
2002 • Daughters, Littlejohn Contemporary, New York, NY
2001 • Ancestors, Littlejohn Contemporary, New York, NY
1999 • Maier Museum, Randolph College, Lynchburg, VA
1998 • Littlejohn Contemporary, New York, NY
1997 • Greenville County Museum of Art, Greenville, SC
1995 • David Beitzel Gallery, New York, NY
1993 • Stephen Wirtz Gallery, San Francisco, CA
1992 • Germans Van Eck Gallery, New York, NY
1991 • Gallery 210, University of Missouri, St. Louis, MO
• Germans Van Eck Gallery, New York, NY
1990 • Damon Brandt Gallery, New York, NY
1986 • Vanderwoude Tananbaum, New York, NY
1984 • Vanderwoude Tanabaum, New York, NY
GROUP EXHIBITIONS
2023 • Come a Little Closer, D.C. Moore Gallery, New York, NY
2022 • Balance, Platform Project Space, Brooklyn, NY
• Acid Garden, Charles Moffett, New York, NY
• Still Life and the Poetry of Place, Pamela Salisbury Gallery, Hudson, NY
2021 • I Dream in Black and White, Olympia, New York, NY
2020 • All Small, Pamela Salisbury, Hudson, NY
2019 • At the Core: New Members of the National Academy of Design, Core: Club, New York, NY
• American Earthquake, curated by Madeleine Bialke, Vacation Gallery, New York, NY
• New Faces: Mid-Career Artists LA/NY, Shoshana Wayne Gallery, Los Angeles, CA
• Notebook, curated by Joanne Greenbaum, 56 Henry, New York, NY
• Up With People!, curated by Patrick Neal, Joyce Goldstein Gallery, Chatham, NY
• Modern & Contemporary Selections form the Permanent Collection, the Maier Museum of Art at Randolph College, Lynchburg, VA
2018 • Chromalicious, Geoffrey Young Gallery, Great Barrington, MA
2017 • Women Painting, curated by Michelle Weinberg and Sarah Michelle Rupert, The Girls Club, Fort Lauderdale, FL
• The Nature Lab, LABSpace, Hillsdale, NY
2016 • Representing Rainbows, curated by Lisa Corinne Davis, Gerald Peters Gallery, New York, NY
2015 • Group 2015-2016, Lori Bookstein Fine Art, New York, NY
• Gallery Selections: 2015, Lori Bookstein Fine Art, New York, NY
2013 • [Mostly] White, Lori Bookstein Fine Art, New York, NY
2011 • Heads, Lori Bookstein Fine Art, New York, NY
2010 • Works on Paper, University of Virginia, Charlottesville, VA
• Oil and Water, Schlesinger and Coleman Bancroft, New York, NY,
2009 • Bucheon Gallery, San Francisco, CA (two-person show with Jenny Dubnow)
• Octet, Pera Museum, Istanbul, Turkey
• Subverted GenreI, Sue Scott Gallery, New York, NY
2008 • 183rd Annual Invitational, The National Academy, New York, NY
• Gouache and Only Gouache, Jeff Bailey Gallery, New York, NY
2007 • Inner Child: Good and Evil in the Garden of Memories, Hunterdown Museum, Clinton, NJ
• Horizon, EFA Gallery, New York, NY
2006 • Oh, You Beautiful Doll, Andrea Meislin Gallery, New York, NY
• Selections from the Cultural Corridor, Storefront Artists Project, Pittsfield, MA
• Light in August, Geoffrey Young Gallery, Great Barrington, MA
• Complicit! Contemporary American Art and Mass Culture, University of Virginia Art Museum, Charlottesville, VA
• Objects in Mind, The Philoctetes Center, New York, NY
• New Art, New York: Reflections on the Human Condition, Trierenberg Corporation Gallery, Traun, Austria
2005 • Private Drama, Obsolete Gallery, Venice, CA
• Face Paint, Bucheon Gallery, San Francisco, CA
• The Continuous Mark: 40 Years of the New York Studio School, New York Studio School Gallery, New York, NY
• Littlejohn Contemporary Gallery, New York, NY
2004 • Littlejohn Contemporary Gallery, New York, NY
• Unveiling the ImageI, New Jersey Center for the Visual Arts, Summit, NJ
• Mirror, Mirror: Imaging the Magic TaleI, Mary Baldwin College, Hunt Gallery, Staunton, VA
2002 • Littlejohn Contemporary Gallery, New York, NY
• Bucheon Gallery, San Francisco, CA
2001 • Littlejohn Contemporary Gallery, New York, NY
• Pixerina Witcherina, University Galleries of Illinois State University, Normal, IL/Sarah Moody Gallery of Art, University of Alabama,
• Tuscaloosa/Hanes Art Gallery, Wake Forest University, Winston-Salem, NC
• Bucheon Gallery, San Francisco, CA
2000 • Littlejohn Contemporary Gallery, New York, NY
1999 • Allen Sheppard Gallery, New York, NY
1998 • Women, Women, Women: Artists, Objects, Icons, Greenville County Museum of Art, Greenville, SC
1997 • Hair-Do, The Work Space @ Dolgenos Newman & Cronin, New York, NY
• Domestic Bliss, DNA Gallery, Provincetown, MA
1996 • DNA Gallery, Provincetown, MA
• SCRATCH, Thread Waxing Space
• Comic Inspirations, Adam Baumgold Fine Art/Simon Capstick-Dale Gallery, New York, NY
• Range of Effect, Wake Forest University, Winston-Salem, NC
1995 • Art on Paper 1995, Weatherspoon Gallery, University of North Carolina at Greensboro, Greensboro, NC
• Dru Arstark Gallery, New York, NY
1994 • Selections, Adam Baumgold Fine Art, New York, NY
• Intimate, ICA, Portland at MECA, Maine College of Art, Portland, ME
• Single-Cell Creatures: Cartoons and their Influence on Contemporary Arts, Katonah Museum of Art, Katonah, NY
• Soliloquies, Geoffrey Young Gallery, Great Barrington, MA
• Nine Months: Art & Pregnancy, Howard Yezerski Gallery, Boston, MA
• Bad Girls, West, UCLA Wight Art Gallery, Los Angeles, CA
1993 • The 43d Biennial of Contemporary American Painting, The Corcoran Gallery of Art, Washington, D.C.
• UCI Fine Arts Gallery, University of California at Irvine, Irvine, CA
• Gallery Artists and Friends, Germans Van Eck Gallery, New York, NY
• Summer Salon Show, Robert Morrison Gallery, New York, NY
• Drawing Conclusions, Pamela Auchincloss Gallery, New York, NY
• Already, Greenville County Museum of Art, Greenville, SC
• The Eidetic Image: Contemporary Works on Paper, Krannert Art Museum, University of Illinois at Urbana-Champagne, Champaign, IL
• Formative Past, Present Form, New York Studio School , New York, NY
• Making Connections: Approaches to Space in Drawing, Maier Museum of Art, Randolph Macon College, Lynchburg, VA
1992 • Wallach Art Gallery, Columbia University, New York, NY
• Gallery 400, University of Illinois at Chicago, Chicago, IL, “On Condition: Painting Between Abstraction and Figuration”
• Wexner Center for the Arts, Ohio State University, Columbus, OH, “Re: Framing Cartoons”
• Germans Van Eck Gallery, New York, NY, “Play Between Fear and Desire”
1991 • Personal Mythologies, Marc Richards Gallery, Los Angeles, CA
• Compulsion, Jamison Thomas Gallery, New York, NY
• Group Drawing Show, Ruggiero Gallery, New York, NY
1990 • Examples Cool & Lonely, Roy Boyd Gallery, Santa Monica, CA
• Fluid Geometry, Cummings Art Center, Connecticut College, New London, CT
• Eros/Thanatos, Death & Desire, Tom Cugliani Gallery, New York, NY
• Re: Framing, Loughelton Gallery, New York, NY
1989 • Drawings, Fawbush Gallery, New York, NY
• Personal Icons, City Gallery, New York Dept. of Cultural Affairs, New York, NY
• Damon Brandt Gallery, New York, NY
• Field and Frame: Meyer Schapiro's Semiotics of Painting, New York Studio School, New York, NY
• Immanent Space, Ruggiero Henis Gallery, New York, NY
• Is this a small picture?, Henry Feiwel Gallery, New York, NY
1988 • Bali Miller Gallery, New York, NY
• New Visions Gallery, Ithaca, NY
• Nature in Art - 44 Women Artists, One Penn Plaza, New York, NY
1987 • To Objectify the Subjective: Contemporary Symbolist Sensibilities, Bronx Museum of the Arts, Bronx, NY
• Winston Gallery, Washington, D.C.
1986 • Skowhegan 40th Anniversary Exhibition, Leo Castelli Greene St. Gallery, New York, NY
• Short Stories, One Penn Plaza, New York, NY
• San Francisco International Airport, Airport Café, San Francisco, CA
• Colby College Museum of Art, Waterville, ME, Inner Images
• The Newark Museum, NJ. Recent American Painting and Sculpture: 1975-1985
1985 • Alumni Show, New York Studio School, New York, NY
• Notions of Surrealism, Vanderwoude Tananbaum Gallery, New York, NY
• 20th Anniversary Show, New York Studio School, New York, NY
• Mystery Show, Jersey City Museum, NJ
• New Expressive Landscape, Sordoni Art Gallery, Wilkes College, Wilkes-Barre, PA
1984 • Art on Paper 1984, Weatherspoon Gallery, UNC at Greensboro, Greensboro, NC
• Situations, Jamaica Arts Center, Queens, NY
• Women Artists of the 80s: New Talent, A.I.R. Gallery, New York, NY
• Yale University at Norfolk Gallery, Norfolk, CT
• Fears, Tyler School of Art, Philadelphia, PA
1983 • Art on Paper 1983, Weatherspoon Gallery, UNC at Greensboro, Greensboro, NC
• Rotunda Gallery, Brooklyn, NY
Awards and Fellowships
2022 • Louis Comfort Tiffany Foundation Grant
2021 • American Academy of Arts and Letters Purchase Prize
2015 • National Academy of Design Inductee
2013 • John Simon Guggenheim Memorial Foundation Fellowship
2008 • Inglis Griswold Nelson Prize, National Academy of Design Museum and School of Fine Arts 183rd Invitational
2007 • Yaddo Artist’s Fellowship
1999 • Peter S. Reed Foundation Grant
• Hand Hollow Foundation Fellowship
1996 • Fine Arts Work Center Fellowship, Provincetown, MA
1995 • Hand Hollow Foundation Fellowship
1989-90 • National Endowment for the Arts Visual Artist’s Fellowship
1987 • Millay Colony for the Arts Artist’s Residency
1983-84 • National Endowment for the Arts Visual Artist’s Fellowship
1976 • Skowhegan School
1975 • Yale Norfolk Program Fellowship
Bibliography
Hearne Pardee, Elena Sisto: She Opened Her Ear to the Great Below, Tussle Magazine, 5/25.
David Ebony. Top 10 New York Gallery Exhibitions of 2024, Snapshot of the Art World, 12/24.
David Ambrose. Elena Sisto: As We Dream at Bookstein Projects, Whitehot Magazine. 10/18.
Hearne Pardee, A New Ecology of Signs: Elena Sisto beyond the studio, Artcritical, 10/18.
Sharon Butler, Elena Sisto: A new kind of freedom,Two Coats of Paint. 10/18.
Hearne Pardee, Elena Sisto Afternoons, Brooklyn Rail 5/16.
Martha Schwendener, What to See in New York Art Galleries This Week, New York Times. 4/16.
Jennifer Coates, Elena Sisto, Time Out New York 4/13/16.
New Yorker, Goings on About Town 3/28/16. Web and print.
Leslie Wayne, Artcritical. 2016, interview.
Robert Storr, What Gets You Up in the Morning and Keeps You Going at Night, 2016.
Robert Berlind, Brooklyn Rail, 2013, review one-person Lori Bookstein Fine Art.
Dennis Kardon, Artcritical, 2013, review one-person at Lori Bookstein Fine Art.
Julian Kreimer, Art in America, 04/25/13, Interview.
New Yorker, Fine Art Goings on About Town, 5/11/13, review one-person.
Stephen Westfall, 2012, catalog essay, Between Silver Light and Orange Shadow.
Blake Gopnik, Washington Post, Critic’s Choice, 3/13/08, Washington, DC.
Lily Wei, Art News, 5/05, review one-person.
Hearne Pardee, Art in America, 3/05, review one-person.
Benjamin Gennochio, New York Times, 2004, review of Unveiling the Image.
Dan Bischoff, Star Ledger, 2004, review of Unveiling the Image.
Eleanor Heartney, Art in America, 6/99, review one-person.
Rick Moody, Catalog Maier Museum: Pan’s Fair Throng (fiction inspired by Sisto’s painting), 1999.
Ken Johnson, New York Times, 10/23/98, review one-person show.
Sue Lile Inman, Emrys Journal, 1998, And There He Kept Her Very Well.
Rick Moody, Modern Painters, spring 1998, Long Live Painting.
Faye Hirsch, On Paper, 1997, review Tin Man print.
Michael Rogers, Orange County Register, 10/15/93. Review UC Irvine show.
Cathy Curtis, Los Angeles Times, 10/93 Review U. C. Irvine show.
Terrie Sultan and Maia Damianovic, Catalog 1993 Corcoran Biennial.
Carol Kino, Modern Painters, Spring 1993. Review.
Debra Bricker Balken, Art in America, 5/93. Review.
Ruth Bass, Art News, 2/93. Review.
Charles Hagen, New York Times, 12/4/92 Review.
Roberta Smith, New York Times, 6/28/91 Review.
Cathy Curtis, Los Angeles Times, 1/15/91. Review Examples: Cool & Lonely.
William Zimmer, New York Times, 12/9/90 Fluid Geometry review.
Hearne Pardee, Art News, 9/90. Review of one-person show.
Robert Mahoney, Arts. Summer 1990 Review.
Charles Hagen, Artforum, Summer 1990 Review.
Ken Johnson, Art in America, 6/90 Review.
Ruth Bass, Art Talk, 6/90 Review.
Stephen Westfall, Art in America, 2/87 Review.
Roberta Smith, New York Times, 11/7/86 Review.
Hearne Pardee, Arts, 11/86. Paintings by Five Contemporary Artists.
Stephen Westfall, Art Journal, Winter 1985 Surrealist Modes Among Contemporary New York Painters.
Eileen Watkins, Newark Star-Ledger, 5/85 Review Mystery Show.
Vivien Raynor, New York Times, 6/2/85 Review.